DEUTSCHE UNIVERSITÄT, 4 Logical Path, Creation

CREATIVITY
INTUITION

FACULTY OF
OPERA & ARTS

STUDYING UNIVERSALITY IN CULTURE
OPERA & ARTS
SCIENTIFICALLY STUDYING THE UNIVERSAL STRUCTURAL INTEGRATION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE

THE LOGICAL PATH

The Logic of the Scientific Program

The Logic of the Scientific Path

Sayings of Great Thinkers
Related to the Logic of the Development of Consciousness

CREATIVITY / INTUITION FOURTH STATE CREATIVITY / INTUITION FOURTH STATE CREATIVITY / INTUITION

CREATIVITY / INTUITION
AUTHENTICALLY STUDYING CULTURE –
THE UNIVERSAL TRADITION OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY –
IN THE UNIVERSAL
MUSICAL FUNCTIONING
RESEARCH & DEVELOPMENT
SCIENTIFICALLY STUDYING
UNIVERSALITY IN CULTURE & THE
UNIVERSAL STRUCTURAL
INTEGRATION OF
SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE IN
OPERA & ARTS
IN

THE FOURTH
STATE OF CREATIVITY
transcendental creativity
absolute creativity

11
FOURTH STATE
TRANSCENDENTAL CREATIVITY
8^th– 9^th Study-Group

AUTHENTICALLY STUDYING CULTURE –
THE UNIVERSAL TRADITION OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY –
IN THE UNIVERSAL
MUSICAL FUNCTIONING
AND THE
FUNCTIONAL INTEGRATION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE
IN
THE FOURTH STATE OF CREATIVITY
transcendental creativity
absolute creativity

20. Creative Field of Inner Hearing to
Musical Tone-Space

- during the transition from the creative field of our inner hearing to the force-field of the musical tone-space

21. Musical Tone-Space to Creative Field of
Inner Voice

- during the transition from the force-field of the musical tone-space to the creative field of our inner voice

- through universal harmony synthesis
- through universal sequence synthesis
- through universal motif synthesis
- through the integrated synthesis of
  tone, sound and idea
- through the integrated synthesis of
  sound and idea
- through the integrated synthesis of
  tone and idea
- through universal idea synthesis
- through universal sound synthesis –
  integrated synthesis of tone and sound
- through universal sound synthesis
- through universal tone synthesis

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Synthesis of Motif- and
Sequence-Technique
In its systems of tonalities, the world of musical orders contains relationships between sounds as clearly defined as our human social structures.

In the melody, the motif-technique portrays the natural harmonic coexistence of the individual with itself, predetermined by the Creator, or Almighty Nature respectively, in the harmony laws of the microcosm of music.

The sequence-technique portrays the individual’s natural harmonic coexistence with the other members of society, accordingly predetermined by the Creator, or Almighty Nature, in the harmony laws of the microcosm of music.

At a conventional university
nowadays the endeavor
for “knowledge” and “truth”
runs out already within
the first three states of consciousness:

That is the reason why
(so far) the gate to
the states of consciousness four to ten,
and therefore also
to the eleventh state of consciousness:
to that field of creativity and/or
intuition in general
is closed
for the professors of the
conventional university
and accordingly for their students, too.

And as all of them
lack the authentic experience
of creativity and/or intuition
connected to the
eleventh state of consciousness,
therefore also the higher knowledge gained
on this specific higher
level of creative cognition
is personally totally alien to them all –
also in the area of
OPERA & ARTS.

And even when
the conventional universities
refer to the statements
of the great thinkers, philosophers,
scientists, artists and prophets,
and, like thieves or blind believers,
make their knowledge and their wisdom,
in the limited context of the
first three states of consciousness,
the subjects of their teachings
and their studies,
nevertheless the
higher intuitive states of consciousness
obtained by the wise and
demanded by them,
as well as the higher levels of
creative knowledge
connected to these states of consciousness,
are personally completely alien
to their professors and students:

Because they all
are not able to take
the natural higher
views of creative cognition
of the great thinkers, philosophers,
scientists, artists and prophets
and therefore
lack
those authentic creative experiences
on the higher levels of
consciousness of intuition –
of which the wise report:
also in the field of
OPERA & ARTS.

This section of education in the field of
CREATIVITY / INTUITION
concentrates –
starting from the first ten states
of consciousness
by means of the scientific coordination of

Creative Inner Hearing,
Musical Tone-Space and
Creative Inner Voice
on gaining the
eleventh state of consciousness:
TRANSCENDENTAL CREATIVITY and/or
ABSOLUTE CREATIVITY.

THE WAY:

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Integrated universal process of learning
studying the inner human forces of creativity / intuition
activating the inner human forces of
creativity / intuition in the fields of
   inner creative hearing,
   consciousness,
   mind &
   neurophysiology

20. Creative Field of Inner Hearing to
Musical Tone-Space

In the eighth study-section of creativity / intuition the concentration is on:

- the natural universal musical functional   development of cosmic human   existence, life, evolution & dignity

- the cosmic functioning of universal   opera & arts

- the authentic human intuitive path to the   universal creativity of opera &   performing art

- the authentic intuitive path of opera &   performing art to the functional   development of cosmic human   existence, life, evolution & dignity

- the authentic scientific path to universal   functional harmony
  and

- the natural universal musical functional   revitalisation of the universal tradition   of science, art, philosophy, religion,   education & medicine of the great   ancient opera & artss of the world in
  opera & arts

- in connection to objective scientific   research in the fields of science, art,   philosophy, religion, education &   medicine under the auspices of   medicine and

- in coherence with the universal musical   functional development of the natural   universal coordination of our mind with   our inner cosmic hearing ability

- within the universal development of   human creativity

- through universal analysis in the   musical fields of creativity

The Four-Dimensional Sound-Space
Sound may adopt any form in space. In the acoustic space the inner multiplicity of sound, however, may also be conjured up in the four-dimensional space-time relationship.

New Technologies in the Subatomic
Force-Field of Music
Through such unlimited formative potential even in this outer acoustical field of music the inner universal logic of the musical reality can be unfolded for the listener with incomparably greater plasticity than the conventional technology of music production ever allowed.

The Overtone-Composed Sound
Due to a growing demand for higher quality in music, and with the application of completely new technologies in the subatomic field of music, for the first time it is possible for us listeners to look, as if through an electron microscope, into the microcosm of music.

Hence, we suddenly experience sound as the celestial space of a sparkling splendour of stars moving in manifold patterns. We find ourselves in the midst of the natural musical universe.

On the level of sound, this dynamic structure of overtones achieves that lively creative reality which is able to unlock in us listeners our own world of fantasy.

“No other art is able to inspire the personality so intensely
and make it lovable as music;
who loves music
will sooner or later
reach the most sublime realms
of the world of thought.”
Pir-o-Murshid Hazrat
Inayat Khan

“The world is pure music.”
Pythagoras

- during the transition from the creative
field of our inner hearing to the force-
field of the musical tone-space

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The Golden Tree of the Art of Sound
Hence, creative music listening is that mechanism where we learn how to make the golden tree of music grow naturally and spontaneously out of our own inner potential to shape a perfect life, through the forces inherent in our natural life potential; and we do so after an outside stimulation from the spheres of our innermost intuition: from the fertile ground of our innermost faculties of cognition. From the height of our pure self-awareness, we go down to the world of our human feeling and understanding, and still further down to the world of our neurophysilogical functioning – even further down to the to the field of shaping the material environment.

“During the transition from the creative field of our inner hearing to the force-field of the musical tone-space”:

Here we integrate the
Subjective fields with the objective fields of authentically activating the universal functioning of opera & arts.

The musical tone-space within our mind is the natural field of authentically studying the integrated activation of universal physical - objective functioning of opera & arts.

Self-awareness, the intellectual coordinative ability, feeling ability, intellectual discrimination, inner hearing, inner voice & consciousness are our natural instruments of
subjectively activating the universal functioning of opera & arts.

21. Musical Tone-Space to Creative Field of
Inner Voice

In the ninth study-section of creativity / intuition the concentration is on:

- the natural universal musical functional   development of cosmic human   existence, life, evolution & dignity

- the cosmic functioning of universal   opera & arts

- the authentic human intuitive path to the   universal creativity of opera &   performing art

- the authentic intuitive path of opera &   performing art to the functional   development of cosmic human   existence, life, evolution & dignity

- the authentic scientific path to universal   functional harmony
  and

- the natural universal musical functional   revitalisation of the universal tradition   of science, art, philosophy, religion,   education & medicine of the great   ancient opera & artss of the world in
  opera & arts

- in connection to objective scientific   research in the fields of science, art,   philosophy, religion, education &   medicine under the auspices of   medicine and

- in coherence with the universal musical   functional development of the natural   universal ability of cosmic thinking

- within the universal development of   human creativity

- through universal analysis in the   musical fields of creativity

For more information please click on the text.

Feelings, Mental Impressions and
Moods through Tonalities
The overtone-spectrum may be produced and perceived in very different ways, and depending on the arrangement of the overtones, on their tonality, it evokes very different feelings, moods, and mental impressions within us listeners.

Training the Mental Power of Discrimination
With the systematic training of the mental power of discrimination the musician or the listener penetrates, with his inner ear, deeper and deeper into the nature-given cosmic world of musical sound-spaces, and on the level of his feeling, depending on the refinement of his perception, he will hear and recognize the different tonalities in the innermost worlds of music: those manifold “planetary orbits of the musical sound-space.”

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“Conscience!
O you divine instinct,
eternal and heavenly voice!”
Rousseau

“… to compose something
that will uplift and benefit humanity –
something of permanent value.”
Brahms

“You are, so to speak,
just an instrument oneself,
on which the universe plays.”
Gustav Mahler

- during the transition from the force-field   of the musical tone-space to the creative   field of our inner voice

_______________________________________________________
In the eight & ninth study-section of creativity / intuition the concentration is on:

- the enhanced performance of
  humanity & health in the function of   inner creative hearing,
  consciousness,
  mind &
  neurophysiology

	“During the transition from the force-field of the musical tone-space to the creative field of our inner voice”: Here we expand the integration of the Subjective fields with the objective fields of authentically activating the universal functioning of opera & arts. The musical tone-space within our mind is the natural field of authentically studying the integrated activation of the universal physical – objective functioning of opera & arts. Self-awareness, the intellectual coordinative ability, feeling ability, intellectual discrimination, inner hearing, inner voice & consciousness are our natural instruments of subjectively activating the universal functioning of opera & arts.

For more information please click on the text.

Tone Analysis
Due to a great amount of scientific research and a recent improvement of our habits of hearing we know today that a tone is not just a tone. We know that, in the so-called tone, lies a hidden world which had been ignored so far by conventional music and even by music theory.

Furthermore we know that, proceeding from the music of the classical and romantic periods, true progress, so necessary today, is only possible – and in our present time even necessary – through the mastery over the microcosm of music.

This rediscovery of the microcosm of music and of the harmony laws of the Creator, or Almighty Nature respectively, concealed in it, is closely linked to the revival of music as such.

THE AIM:

Embodiment of natural intuition – the creative humane, universal & healthy artist, scientist, philosopher, priest, educator, medical doctor: the realisation of the cosmic creativity in culture

THE APPROACH:

Release of psycho-physiological manifestations of stress

THE METHOD:

Music as a harmonic data carrier
scientifically activating the refinement of the inner human forces of creativity / intuition

In the eight & ninth study-section of creativity / intuition the concentration is on:

- the further development of creative
  self-awareness
- the further development of creative   intellectual coordination
- the further development of creative   feeling
- the further development of creative   intellectual discrimination
- the further development of creative   inner hearing
- the development of creative   functioning of consciousness
- the development of creative thinking

THE STYLE:

Music according to the laws of nature –
application of the natural harmony laws of the microcosm of music

medical

educational

THE HARMONY LAWS OF NATURE
STRUCTURING THE PROCESS OF CREATIVE INNER HEARING CREATIVE CONSCIOUSNESS CREATIVE THINKING &
CREATIVE NEUROPHYSIOLOGY

PREPARATORY STUDIES:
FACULTY OF
MUSIC & MUSICOLOGY

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The Dimension of the Motif within
the Sound
Compared to the planetary system of a “tone” with its dynamically structured spectrum of overwaves, a musical motif is something like a super-nova unfolding in a controlled manner.

The Listener’s Insight into the Cosmic Inner Life of the Musical Sound-Space
Only this inner insight into the musical sound-space, now universally enlivened in manifold ways, can open up the true cosmic world of music to the listener.

The Subtle Dimension of Musical Poetry
So far, the paramount importance of this inwardly cosmically unfolding microcosm of the musical sound-space has not been realized at all by the experts in musicology – even though it is just this subtle dimension of musical poetry in particular that enables to portray life.

The Musical Means for Structuring
Space and Time
The distance between each of the overtones is the means for structuring space, and the rhythm, in which the overtones structure the musical sound-space, is the means for structuring time.
Thus, in the microcosm of music, the rhythmical structure is associated with time and the interval structure with space.

Musical Degree of Order and General
Human Evolution
Therefore the music of different cultures with their different levels of development shows different perception of the degree of order of human evolution, which again is differently expressed in music.

From this one can conclude that the music of different peoples, or of the same people at different times or at different places, is not different because of an imaginary difference of cultures, but because different levels of human evolution have been reached, and have been expressed in their music.

Musical Order and Cultural Order
From this music-theoretical analysis we may further conclude that, as far as musical order is concerned, different cultures do not really exist. There are only higher and lower levels of human evolution which express themselves in varying degrees of musical order.

PROGRAM

20. Creative Field of Inner Hearing to
Musical Tone-Space

_______________________________________________________

Right from the beginning of the
first seven study-sections,
starting from the state of unity creativity,
the creativity moved freely between the seven first states of consciousness, concentrating on the
establishment of
the seventh, the sixth and the fifth state: UNITY CREATIVITY,
REFINED COSMIC CREATIVITY and
COSMIC CREATIVITY.

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY:
THE COSMIC FUNCTIONING OF UNIVERSAL CULTURE –
THE AUTHENTIC HUMAN INTUITIVE PATH TO THE UNIVERSAL CREATIVITY OF CULTURE –
THE AUTHENTIC INTUITIVE PATH OF OPERA & ARTS TO THE STRUCTURAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY –
THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL FUNCTIONAL HARMONY
AND
THE NATURAL UNIVERSAL MUSICAL STRUCTURAL REVITALISATION OF THE UNIVERSAL TRADITION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE OF THE GREAT ANCIENT CULTURES OF THE WORLD IN OPERA & ARTS –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL COORDINATION OF OUR MIND – OUR ABILITY OF COSMIC THINKING – WITH OUR INNER COSMIC HEARING ABILITY
WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
DURING THE MUSICAL PROCESS OF CREATION

Here within the eigth & ninth study-section the creativity / intuition goes on
moving freely from unity creativity down in the direction of the first state,
concentrating on the fourth state:
TRANSCENDENTAL CREATIVITY – ABSOLUTE CREATIVITY.
Through this further systematic scientific development of
creative self-awareness,
creative intellectual coordination, creative feeling ability,
creative intellectual understanding, creative inner hearing,
creative consciousness and
creative thinking,
the CREATIVITY / INTUITION now establishes the fourth state of creativity:
TRANSCENDENTAL CREATIVITY.

21. Musical Tone-Space to Creative Field of
Inner Voice

_______________________________________________________

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY:
THE COSMIC FUNCTIONING OF UNIVERSAL CULTURE –
THE AUTHENTIC HUMAN INTUITIVE PATH TO THE UNIVERSAL CREATIVITY OF CULTURE –
THE AUTHENTIC INTUITIVE PATH OF OPERA & ARTS TO THE STRUCTURAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY –
THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL FUNCTIONAL HARMONY
AND
THE NATURAL UNIVERSAL MUSICAL STRUCTURAL REVITALISATION OF THE UNIVERSAL TRADITION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE OF THE GREAT ANCIENT CULTURES OF THE WORLD IN OPERA & ARTS –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF OUR INNER VOICE – OUR NATURAL ABILITY OF COSMIC THINKING
WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
DURING THE MUSICAL PROCESS OF CREATION